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Posts Tagged ‘robin ellis’

 

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I pass Gaby and Pierette’s farm on my daily walk and scurrying out of my path two days ago were a platoon of ducks and geese.

December the first today. They must be new arrivals in time for Christmas.

Les pauvres!

December the first….

DAY ONE, in the early 1950’s, on the advent calendar and the agonisingly slow build-up to the big day.

Sweet torture!

The decorations are up in our little village of Lautrec and outside Monoprix in the town of Castres, the little carrousel and its prancing horses is doing its rounds.

What to buy so-and-so and and mustn’t forget thing-a-ma-jig….

Christmas is now inevitable and the pressure is on.

Well, I have a suggestion….

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I know what it says on the cover but the recipes a healthy and delicious–good for everyone–and Meredith’s photos are sensational.

If your local bookstore doesn’t have it (in the UK), it’s available on Amazon–and only Amazon or other online book dealers in the USA. It’s also available for Kindle.

Here’s a look behind the scenes!

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All these events are free.

If our paths cross, hope you’ll come say hello!

 

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CoverBook

In New York City:

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In Los Angeles:

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In Palo Alto:

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In Arlington, Virginia (Washington D.C. area):

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Poldark

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MEDITERRANEAN COOKING for DIABETICS–Delicious dishes to control or avoid diabetes.

Published today in the UK–available from bookstores and on-line and as an ebook.

Here’s a visual tour of some of the recipes you’ll find to cook in the book.

All photos by Meredith Wheeler–(bar one, which she’s in—only fair!)

To know how to eat is to know enough….

~ Old Basque saying

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Robin Ellis Med Cooking 01

 

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VeganPlate

 

SeafoodStew

SpinachTort

Spinach&RiceTorte

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Chicken

 

Gazpacho

 

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Bon appétit!

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AT LAST!

Yesterday the audio version of Making Poldark became available for download via Audible, Amazon or iTunes.

http://www.audible.com/search/ref=a_mn_mt_ano_tseft__galileo?advsearchKeywords=Making+Poldark&x=0&y=0

 

Below, I’m re-posting my account of recording it way back in January.

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Just back from UK where I recorded my memoir of Poldark as an audio book–with an extra chapter about taking part in the new BBC/Mammoth version–40 years after doing the original!

 

Two days in a small, soundproof booth in a basement recording studio in Hove in Sussex, while the wind and the rain raged above ground.

I was fortunate to have three helpmates in the studio running the show–and keeping my nose to the microphone.

Chris Daniels, sound engineer, owns the studio and is a member of that fraternity of calm console operators who are never flustered.

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They have seen it all before–and behave as though they read the first verse of Rudyard Kipling’s poem, IF, before sitting down to work:

If you can keep your head when all about you
    Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
    But make allowance for their doubting too;
If you can wait and not be tired by waiting,
    Or being lied about, don’t deal in lies,
Or being hated, don’t give way to hating,
    And yet don’t look too good, nor talk too wise:
 
Yours is the Earth and everything that’s in it,
    And you’ll be make a Sound Engineer, my son!
(With apologies to Mr. Kipling.)
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My old friend, Constantine de Goguel Toulouse-Lautrec–his grandmother was in St. Petersburg in the October Revolution of 1917 and survived–sat in the producer’s seat and guided a rusty performer through the sessions with grace and years of experience.
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He’s a fine actor and an experienced dialogue coach for movies.
He also runs Spoken Ink–subtitled “The Home of Short Audio“–well worth checking out.
Meredith made up the triumvirate as back-up producer keeping a beady eye on the script and an ear out for things that could be better (like the American pronunciation of “Potomac”!).
Her occasional ripple of involuntary laughter was a morale boost for The Man in the Sound Proof Booth!
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The project is in post production now. When complete, we’ll announce it here.

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from Minnesotta, North Carolina (via Rome), Rhode Island, California, Virginia, North Yorkshire, Tipperary (Ireland), New Zealand, Brixton (S London)–for the two cooking workshops.

Not quite back-to-back! We’ll be trying that out in September and October. This time we took a few days to fly to Florence to celebrate Brother Jack’s 60th birthday (he’s performing in a show there at Teatro del Sale).

Here’s a short photo diary of the good times we had.

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late May Bravehearts with host Dominique on the right.

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Mid- June Braveheatrs–looking enthused

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Eager aprons waiting to be claimed

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Minnesotans–togged up and ready to break eggs

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Tossing the salad the Italian way–36 times!

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What do we think? A touch more vinegar?

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Friday morning coffee break and “food” chat

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Friday morning starter–the unexpected curried apple soup

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Friday supper (work-free delight)–Chez Valérie

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Simone–the essential ingredient, without whom…

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“Showtime” Sunday lunch–with Cecile and Polly–first time around

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“Showtime” Sunday lunch–second go-around (where’s the hat?!)

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300px-The_Good_Soldier_First_Edition,_Ford_Madox_Ford   It is the 100th anniversary of the publication of Ford Madox Ford’s pre-First World War novel, The Good Soldier, a seminal book of the 20th centuryIt opens with this sentence: “This is the saddest story I ever heard,”–spoken by the narrator, John Dowell—my part, in the Granada TV adaptation filmed in 1980. It was poignant for me to retrace my steps, 30 years later, from the fountain in Bad Nauheim, where I had once been greeted by Roger Hammond as the Grand Duke: “Good morning, Mr. Dowell!”.

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Revisiting Bad Nauheim, 30 years after the filming.

I am the sole surviving actor of Ford Madox Ford’s doomed quartet —who made the film of The Good Soldier 35 years ago. Jeremy Brett, Vickery Turner (r) and Susan Fleetwood (l)–all died too young. Susan was only 51! All had so much more to give. Screen Shot 2015-05-25 at 10.09.02 AM Meredith and I were in Germany to pursue another project, but passing so close to Bad Nauheim, on our way to Frankfurt, we couldn’t resist the short detour from the motor-way.

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Bad Nauheim has an association with Elvis Presley, who lived there while stationed nearby during his military service with the U.S. Army.

Meredith admired the film and knew Susan. I had spent three intense weeks there in the autumn of 1980, much of the time as elegant set-dressing (so it seemed to us!), for this extraordinary Edwardian spa town. We walked and walked, in line of four, dressed in pre-war finery without–it seemed–a care in the world. Screen Shot 2015-05-25 at 10.20.43 AM     Bad Nauheim is still a spa town, but the beautiful Sprudelhof bath buildings (built between 1905 and 1911 in what the Germans call the Jugendstil style) are open only for special guided tours–and sadly none were available over the days we were there.

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Despite its proximity to Frankfurt and Hitler’s command complex, Bad Nauheim was spared from Allied bombing allegedly because President Roosevelt had fond memories of his visit there.

However we managed to slip into one of the bath houses, opened by maintenance workers for cleaning, and it looked exactly as it had 30 years ago–indeed probably as it had 100 years ago. Elegant bath cubicles line the corridor (where Florence took her cure). Screen Shot 2015-05-25 at 3.56.39 PM

Pretty interior courtyards and reception rooms are decorated with shells, mosaics, stained glass and wrought iron–every fitting finely-crafted in the art nouveau style.

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Until director Kevin Billington sent me the script, I was unfamiliar with The Good Soldier.  I later regretted that my first contact with the story was via the screenplay, rather than the novel itself—thereby missing out on the mystery angle of the story—the gradual way Ford peels his onion, slowly revealing what lay beneath the facade of the four elegant walkers, “all good people”.

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Ford Madox Ford changed his name after WW I, reportedly because he thought Hueffer sounded too German.

The adaptation–loyal to the novel–was written by the English screenwriter and playwright, Julian Mitchell. Filming took three months, on location in England and Germany (extended by a labour dispute at Granada TV involving the shooting of Jewel In The Crown–which delayed our schedule too). I had recently played another diffident American, Robert Acton, in Merchant Ivory’s production of the Henry James novel, The Europeans. Perhaps Kevin saw it. Though there are comic possibilities in playing innocence–three months is a long time to spend with John Dowell— someone so blindly and determinedly, out of touch with the truth.

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Almost by definition we could not film the book in sequence and Kevin helped us all hang on to the arc of each of our character’s complicated and intersecting narratives. He had a firm grip on the ‘unpeeling onion’ and we were grateful to him for that. Yet while admiring his exigence and his quest for perfection, we found the endless “clothes-horse” aspect of the filming difficult.

The scene where the two couples meet for the first time, in the dining room of the hotel, for instance, was filmed FIFTY-SEVEN times from every conceivable angle! The local German extras, initially excited to be in a film, decided by lunchtime that they never wanted to be in another one–not even for ready money!

The film does look sensational though–brilliantly shot by Tony Pierce Roberts. The pace and style evoke so well the pre-war era–soon to be killed off and changed for ever by the coming carnage, launched on August the 4th– Florence’s birthday, wedding day and the day on which she commits suicide. No coincidence!

Filming back in England hopped from one “Great House” to another. Some retained the faded charm of the period—of a class feeling the pinch, if not exactly on its uppers. In one, there was a strong reminder of the devastation the First World War wreaked in social and human terms. The large brick-walled kitchen garden was still visible, as were the magnificent greenhouses—but dilapidated and neglected since the twenties–the men who had made them flourish, all slaughtered in France.

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Ford Madox Ford (1873-1939)

Writing in 1915—one hundred years ago—Ford Madox Ford foresaw that this was the end of an era. Edward Ashburham’s world–complacent and arrogant—was doomed. Strange that John Dowell, the unconvincing Quaker and “casual Yankee”, was so much in awe of it—and indeed joined it.

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Jeremy Brett, later famous for his portrayal of Sherlock Holmes, played Edward Ashburnham, the “Good Soldier”.

The strain of the long shoot, began to take its toll towards the end. It was the day of Nancy’s (Elizabeth Garvie) departure and we were filming the buggy ride to the station. “Pony’s going well!”

A little too well I thought–given that Edward/Jeremy was driving it and not the horsemaster!

The director wanted a shot of us driving over the hump-backed railway bridge, on our way to the forecourt. It would certainly have had a poignancy to it, but I could only picture the frisky pony taking off down the steep descent, and Jeremy not being able to control it.

Memories came to mind of a near-fatal accident, while filming the BBC series Poldark in Cornwall. The coach I was in, turned over on a rock on Bodmin Moor and the cameraman, who was tied to the side of it, was lucky to escape with a broken leg. I was in shock and couldn’t speak for three hours afterwards without bursting into tears.

Kevin insisted that it was perfectly safe. I found myself getting out of the buggy and demanding loudly whether he’d allow his young children do the shot. “Yes– of course,” he replied. I stomped down to the platform and into the waiting room; where I stripped off my costume, and that was the end of the buggy ride.

Perhaps after months of being unassuming John Dowell, something of Robin Ellis had to be let loose again! You can watch the entire film of The Good Soldier on YouTube now!

https://www.youtube.com/watch?t=10&v=zA0PjehNE9Q 

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