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Posts Tagged ‘Poldark’

Winston Graham’s emotionally-charged tale of life in late 18th-century Cornwall, first hit the TV screens in the UK at 7.25pm on October 5th,  1975–45 years ago today.

Remembering Angharad Rees, Ralph Bates, Paul Curran, Mary Wimbush, Richard Morant, and Frank Middlemass.

The cast and crew had been hard at work on location in remote Cornwall and at the BBC-TV White City Studios in London. If I remember rightly, we hadn’t finished all sixteen episodes by that October evening–and were feeling nervous about how it would be received.

We knew it was a good story, with all the right ingredients to engage–and even entrance–an early-evening audience–but you never know.

I only remember one review. It was from the witty and candid Clive James in The Observer the following Sunday. At the end of three paragraphs reviewing other programmes he wrote:

“Oh yes, and there is POLDARK which I can’t help noticing is an anagram for OLD KRAP. I rest my case.”

It was a bit of a shock at the time–and made my mother very cross!

Well–when the run of the first series came to an end four months later, with viewing figures topping 15 million, we had the last laugh.

A quarter of a century after that October evening and not long after Winston’s death, Angharad Rees and myself accompanied Winston’s son, Andrew and daughter, Rosamund, on a return to Cornwall to launch Winston’s autobiography–Memoirs of a Private Man.

Andrew Graham signing Winston’s autobiography at Waterstones in Truro in 2003.

Rosamund, Robin and Angharad signing Winston’s autobiography.

I took the opportunity to revisit the house that had served as Nampara–to the surprise of its owner at the time.

The last time Angharad Rees and I were on the cliffs of Cornwall together.

It was a poignant trip for everyone.

An opportunity to remember and celebrate the life of a man who had had a lasting and positive influence on each and every one of us.

Still does on my life.

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My fourth cookbook–Robin Ellis’s Mediterranean Vegetarian Cooking— is due to be published in the USA this Tuesday, September 29th.

(Available from Amazon.com and autographed copies from the Evanston bookstore, Bookends & Beginnings.)

This has reminded me of an incident–almost a Happening* (remember those?) four years ago, around the time my previous book (Mediterranean Cooking for Diabetics) was published.

In March 2016, I bought a T-shirt at the vast food emporium, Eataly, on 5th Avenue in Manhattan. It was inexpensive–$8, I think–and had the same logo, back and front, in Italian and English:

La vita è troppo breve per mangiare male.

Translated as the slightly different:

Life is too short not to eat well!

Both the price and the sentiments persuaded me to buy it.

 

The simple message seemed to chime with what I’d been doing for the past five years (and three books published): Trying to persuade people that cooking is NOT rocket science–so get in the kitchen before it is too late!

The cookbooks are aimed at everyone who likes to eat WELLand/or wants to avoid eating badly–written with my perspective–having Type 2 diabetes.

We were a little nervous that Sunday in Manhattan 2016, because Meredith had put the word out we’d be present in this extraordinary big top Barnum-and- Bailey circus ring of Italian cooking for a “pop-up book launch of my third book:

“Roll up! roll-up! Bring your books to be signed by the author–unique opportunity!”

BUT…we hadn’t asked permission from the store–because we were pretty certain it would be refused!

Eataly is a scrum at the best of times, but Sunday lunch is like a rush-hour subway carriage on its way to Wall Street–standing room only!’

As one o’clock approached, the crowd around the cheese section started to swell with people showing no particular interest in cheese, but waving copies of a familiar book (NOT available in this store!).

We were showing some brass neck**– but, hey, this is America–right?!

A small queue had formed and I started to sign, clutching each eagerly-offered book in my left hand, while grabbing a piece of cheese from the plate we’d bought as a cover–trying to stay upright, put the cheese–not the pen–in my mouth–and write something meaningful on the title page of the book.

At that moment, like a scene from a Broadway farce, an unwelcome presence loomed, threatening to upset the cheese trolley….

“Excuse me sir, what are you doing?”

“Signing a few copies of my book for friends, while enjoying your wonderful Italian cheeses.”

“Strictly forbidden–and I must ask you to leave; you are blocking access to the cheese counter.”

There was still half the queue patiently waiting for a signature (and now being treated to a bit of theatre!).

From somewhere, I found my inner Brass Neck and heard myself suggesting, politely, to the manager, that far from blocking access, I was bringing customers into the Emporium–introducing people who might not think of patronizing Eataly on a busy Sunday brunch morning in Midtown. Furthermore, we were about to buy several large round plates of his delicious cheeses for the queue (which we did!).

After a pause, he relented–and I kicked myself for not having a spare copy of my book on hand to give him, in gratitude for his willingness to bend the rules (with the suggestion that if he liked it, to pop it on his shelves).

But perhaps that would have been sticking out my brass neck troppo lontano!

Fresh pasta being made at the pasta station. Eataly encompasses several restaurants as well as food and cookbooks for sale–and we make a point of visiting every trip to NYC. Excellent cappuccino and gelato bar too! But they still don’t stock my cookbooks!

*A “happening” is a performance, event, or situation art; The term was first used by Allan Kaprow during the 1950s to describe a range of art-related events.
** If someone is described as having a “brass neck” it means they are confident, and say or do whatever they want–but don’t understand that their behaviour might be unacceptable to others (!!).
 

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Winston Graham–who would have been 112 today (!)–and all things Poldark have featured in my life since the day I walked into BBC-TV Centre, for my first audition for the role of Ross Poldark in January, 1975.

Of course, I had no inkling then how significant the outcome of that test might be for me.

I wrote about it in Making Poldark:

It was a lovely sunny day, I remember, and I was going to an interview at the BBC. Another interview! I’d been to hundreds before. I’d been to three in this particular building—and I’d got all three jobs. What had my agent said? It’s for a thing called Poldark, written by a man whose name rang a bell—Winston Graham—and set in 18th century Cornwall.

I sat facing the sun in the producer’s office, my eyes twitching, and thinking of the third degree. As always happens, he covered the awkwardness of the situation by giving me an outline of the story while looking me up and down and through and through. The subtext of first interviews is always more interesting than the scene itself.

“Thanks for coming in. Of course, I’m seeing others for this part….I want to get it right—but very good to meet you at last. I’ve wanted to use you for some time.”

I found a bookshop in Gloucester Road, bought the books and attacked Ross Poldark for the rest of the afternoon.

I went through two more of these interviews and read a scene or two for the directors. By the end of the third interview I was quite keen to get the part.

The rest is history–a history that keeps refreshing itself.

Bonne Anniversaire, Winston!

I have much to thank you for.

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Sunday night’s splendid finale to the second series involved a scene which brought back vivid memories for me.

Here’s what I wrote in my memoir, Making Poldark, about the studio recording of the miners attack on Trenwith–the final episode of our first series.

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We finished the series with a bang – in fact we nearly burned down the BBC Television Centre. The last scene to be done in the studio was the burning of Trenwith – from the inside.

This was another diversion from the books – where Trenwith was kept well intact by Winston Graham. For television it was felt a more dramatic climax was needed and what better than the burning down of the bosses’ home by the disaffected and starving miners.

The set was a fine recreation of an eighteenth century upper-class living room filled with a mixture of real antique and good reproduction furniture and objets d’art. Well in line with the BBC tradition of authenticity, it had cost a fair amount to bring it together.

With the miners in this mood any thoughts of negotiation or arbitration were clearly out of the question. It was simply a matter of looking after one’s own and everyone for himself. The miners attacked through the windows of the drawing room where Ross was trying to persuade George Warleggan to run for his life; Elizabeth was there as George’s wife and Demelza arrived with the news that the attack was imminent.

It was the finale – the `walk down’ and in came the miners, professional extras who had been given instructions to set light to the place with their burning torches. This they did in a most professional manner. Original eighteenth century furniture was smashed and burned. But nobody said `Cut and so this bizarre spectacle continued, until things got so hot that the action ground to a halt and an instinctive responsibility prevailed.

It was a spectacular ending to an eventful nine months – and a few questions were asked.

Exhausted, we all went to the party at Angharad’s house. We’d been looking forward to it and it was not a disappointment. Two hundred people were there and it finished at 8 a.m. the next morning.

And so ended the first series of Poldark.

Well–“A more dramatic climax”?

I haven’t re-screened the seventies version–but Sunday night’s was pretty dramatic!

And I fancied Aidan’s approach, parting the angry red sea of miners.

My horse, Dennis, would have relished the drama of that–he was a natural born star and a bit of a show-off.

This was a terrific episode; for American viewers–a couple of episodes behind–something exciting in store!

Now–onwards!

Just eight books to go…!

 

 

 

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The END!

Full circle.

East coast to West coast and back–three weeks “on the road” and here we are in Washington DC about to fly back home.

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It has ended brilliantly with two memorable meals–both cooked by others.

For three weeks I’ve stayed out of the kitchen–apart from making four omelets in Palo Alto.

JOY!

We have relied on the kindness of friends for places to stay–without their generosity this trip would not have been affordable.

New York City was the US launch and a lively pop-up event at a Scottish bar and restaurant called St. Andrews in the heart of the theatre district.

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Enthusiastic POLDARK fans in the pub snug

 

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An American version of Demelza!

Our friends Melanie and Bruce kindly lent us an apartment on West 22nd Street–a long stone’s throw from where the bomb went off last week.

Melanie sent us photos of the Malibu Diner where we had lunch together–now a crime scene.

Then on to Dallas–hosted by our friends Cindi and Jay.

It’s hot in Dallas–every day! Close to 100F–we duck in and out of air-conditioned buildings and cars.

Screening of the first episode of season two of POLDARK at a local cinema–over 200 in the audience and it looked fabulous up there on the BIG SCREEN.

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Q & A afterwards with Bill Young–the Vice President in charge of programming at KERA, Dallas’ excellent PBS station.

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Thanks, Bill, for your creativity, perseverance and organization.

Some of the Dallas folks had scrapbooks of my FIRST visit to Dallas with Angharad 39 years ago!

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Poignant visit to Dealey Plaza and the Sixth Floor Museum in the Texas Book Depository, kindly hosted by the museum’s British executive director, Nicola Longford.

With Nicola Longford

With Nicola Longford

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The Texas School Book Depository on Dealey Plaza. The museum inside is the second most-visited site in Texas after the Alamo.

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Brilliant audio tour helps bring some understanding to the tragedy.

Breathless we fly to Los Angeles and arrive late at the lovely little house in Los Feliz of Christy, widow of TV director brother Peter–who died suddenly ten years ago of a heart attack.

Christy helped make the original contact with the flourishing bookstore in Larchmont Village, Chevaliers, where LA Times TV critic Robert Lloyd moderates beautifully the next evening.

With Robert Lloyd, TV critic for The Los Angeles Times

With Robert Lloyd, TV critic for The Los Angeles Times

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Sold out of books!

The following day a visit SoCal (KOCE), the PBS station for Los Angeles to record some pledge material with Maura Phinney.

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A short flight to San Francisco and on to Palo Alto I visit the Gates of Hell (!) in the Rodin Sculpture Garden on the Stanford University campus with our local host, Holly Brady.

The Gates of Hell do not dampen our enjoyment of the beautiful California day.

Big turn-out at Books Inc— our third visit to this remarkable bookstore opposite the Stanford campus.

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They’ve hosted us for all three cookbook tours.

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I demonstrate that a diagnosis of Diabetes is not the end of convivial eating and drinking–in moderation, of course!

We sell out of books again.

We fit in a private tour of LucasFilms HQ in the Presidio quarter of San Francisco, close to the Golden Gate Bridge, thanks to Hilary and Yves.

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It’s here that cutting edge special effects in films and animation are created. The halls are lined with artifacts at every turn.

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We head back east for the final event at Arlington Library last Sunday.

We stay with our friends, Irv and Iris. Irv, retired Washington correspondent for The New York Times, agreed to moderate the event at Arlington’s Central Library. A double act is born!

The sell-out audience (over 180) enjoyed it enough to buy us out of cookbooks.

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A good finish to a whistle-stop, heads down, no-time-for-shopping tour.

We spend a blessed 24 hours with our friends Ray and Ann in their waterside house on Chesapeake Bay–where I learn to breathe again.

Ray cooks a delicious meal of crab cakes with the local catch and pork fillet with clams–bliss it is.

Back in the D.C. last night Iris cooks up a storm for us.

Salmon marinated in soy, ginger and garlic preceded by an intriguing cantaloupe melon soup served chilled.

First day of autumn passes.

The prospect of walnuts and wood fires.

A bientôt, America and thanks!

 

 

 

 

 

 

 

 

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All these events are free.

If our paths cross, hope you’ll come say hello!

 

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In New York City:

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In Los Angeles:

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In Palo Alto:

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In Arlington, Virginia (Washington D.C. area):

Arlington

 

Poldark

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On the face of it Ralph Bates and Usain Bolt have little in common.

For one thing Ralph died over 25 years ago and Usain is about to defend his Olympic titles at 100 and 200 metres.

So why on earth are they sharing the title of this post?

Ralph loved sport–but as a spectator. Together we once attended a Barry Macguigan boxing match at Queens Park Rangers Football ground and as a mover I never saw Ralph “bolt”. To the contrary, he swayed elegantly.

Well, he was half-French! The eminent scientist, Louis Pasteur, was his great-great uncle.

It’s a question of attitude.

The interview below reminded me of dear Ralph and his insouciant nature.

With his third Olympic Games coming up, Usain Bolt a.k.a. the Human Arrow–double 100 and 200 metros champion–says the key for him (about performing) is to actively avoid thinking too much.

I’m in good shape and I’ve done all the hard work in training I know I’ll be good.

“When you’re waiting there, minutes before the race starts, it’s easy to end up staring down the track and getting caught up in it all; but when you know you’re in good shape then the performances come. Everything clicks and you just run the perfect race. You don’t need to think too hard, just execute–you are focused and ready to perform.”

As I read this, my mind switched locations to an over-lit corridor outside a BBCTV studio in Birmingham, where we were about to record an episode of the second series of Poldark–circa May 1977.

I was pacing up and down, “actively thinking too much“, worried about the next two-and-half hours of filming.

Ralph, dressed as the suave George Warleggan, spotted me anxiously pacing and quietly tapped me on the shoulder.

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“It’s only a play, Robin!”.

He might have added:

“You know you ‘re in good shape, you’ve done all the hard work in rehearsal and you know you’ll be good. You are focused and ready to perform!”

That’s what he meant with his reassuring pat on my shoulder.

Yesterday I learned that the Reverend Dr. Halse–that admirable, upstanding, pillar of the Cornish establishment–would be making another appearance in the third series of Poldark. which starts filming next month.

I’ll try to remember– It’s only a Play!

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An unusually insouciant Dr Halse

 

 

 

 

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Balls and the Reverend Dr Halse make an odd conjunction–yet there it is; the invitation, propped up on the mantle for all the world to see.

The Reverend Dr Halse… 

(’twas but he, Mrs Halse having died of shock several years previously, while attending the first assizes of the newly elevated Reverend and seeing him in his new judicial wig).

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George and Carey Warleggan respectfully request the honour of your presence at  the Warleggan Ball, Tuesday the…. “

One doesn’t easily imagine the grumpy bench sitter tripping off to dance the light fantastic with the crème de la crème of Cornish society!

Rather one pictures him, as he is now, deep in his throne-like armchair at Halse Hall, a beautifully crafted balloon brandy glass cupped in his mean and boney hands, re-running recent trials over which he presided–chiding himself on his leniency.

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Indeed, the idea of gracing Hugh Bodruggan’s pile with his presence at the opening Hunt Ball of the season, sends such self-righteous shiver down his spine, he nearly spills the vintage brandy.

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The stories of debauchery!

Sir Hugh slavering over young innocent girls. How is one supposed to maintain standards of decency and order when those that should know better are too drunk to give a damn?

(“Good subject for my sermon, Sunday next.”)

The Warleggans, however–upstarts though they certainly are–(nouveax riche as the French so aptly call them) are a different kettle of fish.

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They are proving worthy additions to Society–and they know how to throw a party.

The Warleggan Ball is now the event of the year in the social calendar of Cornwall.

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A not-to-be missed, must-be-seen-at festivity–with a table of delicacies unrivalled in the whole of the South West.

Fine card room to boot!

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It is rumored that an invitation has been sent to that renegade Ross Poldark (traitor to his class!) and his wife.

Married his parlour maid indeed!

It’s against the natural order. It offends! It is dangerous!

“I have a duty to see for myself this parvenue, this sally-come-lately, this abomination–what’s her name? Demelza?”

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“I shall go!”

This decision taken, he snoozes off, letting the brandy glass slip through his fingers and upend itself, spilling the precious liquid into his lap–soaking his trousers to the flesh!

You too are invited to attend the Warleggan Ball in the 6th episode of POLDARK–Sunday (26th July) on PBS’ Masterpiece!

A barely audible mumble from the armchair:

“Evensong would be a wiser choice.”

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AT LAST!

Yesterday the audio version of Making Poldark became available for download via Audible, Amazon or iTunes.

http://www.audible.com/search/ref=a_mn_mt_ano_tseft__galileo?advsearchKeywords=Making+Poldark&x=0&y=0

 

Below, I’m re-posting my account of recording it way back in January.

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Just back from UK where I recorded my memoir of Poldark as an audio book–with an extra chapter about taking part in the new BBC/Mammoth version–40 years after doing the original!

 

Two days in a small, soundproof booth in a basement recording studio in Hove in Sussex, while the wind and the rain raged above ground.

I was fortunate to have three helpmates in the studio running the show–and keeping my nose to the microphone.

Chris Daniels, sound engineer, owns the studio and is a member of that fraternity of calm console operators who are never flustered.

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They have seen it all before–and behave as though they read the first verse of Rudyard Kipling’s poem, IF, before sitting down to work:

If you can keep your head when all about you
    Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
    But make allowance for their doubting too;
If you can wait and not be tired by waiting,
    Or being lied about, don’t deal in lies,
Or being hated, don’t give way to hating,
    And yet don’t look too good, nor talk too wise:
 
Yours is the Earth and everything that’s in it,
    And you’ll be make a Sound Engineer, my son!
(With apologies to Mr. Kipling.)
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My old friend, Constantine de Goguel Toulouse-Lautrec–his grandmother was in St. Petersburg in the October Revolution of 1917 and survived–sat in the producer’s seat and guided a rusty performer through the sessions with grace and years of experience.
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He’s a fine actor and an experienced dialogue coach for movies.
He also runs Spoken Ink–subtitled “The Home of Short Audio“–well worth checking out.
Meredith made up the triumvirate as back-up producer keeping a beady eye on the script and an ear out for things that could be better (like the American pronunciation of “Potomac”!).
Her occasional ripple of involuntary laughter was a morale boost for The Man in the Sound Proof Booth!
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The project is in post production now. When complete, we’ll announce it here.

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