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Posts Tagged ‘Making Poldark’

Sunday night’s splendid finale to the second series involved a scene which brought back vivid memories for me.

Here’s what I wrote in my memoir, Making Poldark, about the studio recording of the miners attack on Trenwith–the final episode of our first series.

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We finished the series with a bang – in fact we nearly burned down the BBC Television Centre. The last scene to be done in the studio was the burning of Trenwith – from the inside.

This was another diversion from the books – where Trenwith was kept well intact by Winston Graham. For television it was felt a more dramatic climax was needed and what better than the burning down of the bosses’ home by the disaffected and starving miners.

The set was a fine recreation of an eighteenth century upper-class living room filled with a mixture of real antique and good reproduction furniture and objets d’art. Well in line with the BBC tradition of authenticity, it had cost a fair amount to bring it together.

With the miners in this mood any thoughts of negotiation or arbitration were clearly out of the question. It was simply a matter of looking after one’s own and everyone for himself. The miners attacked through the windows of the drawing room where Ross was trying to persuade George Warleggan to run for his life; Elizabeth was there as George’s wife and Demelza arrived with the news that the attack was imminent.

It was the finale – the `walk down’ and in came the miners, professional extras who had been given instructions to set light to the place with their burning torches. This they did in a most professional manner. Original eighteenth century furniture was smashed and burned. But nobody said `Cut and so this bizarre spectacle continued, until things got so hot that the action ground to a halt and an instinctive responsibility prevailed.

It was a spectacular ending to an eventful nine months – and a few questions were asked.

Exhausted, we all went to the party at Angharad’s house. We’d been looking forward to it and it was not a disappointment. Two hundred people were there and it finished at 8 a.m. the next morning.

And so ended the first series of Poldark.

Well–“A more dramatic climax”?

I haven’t re-screened the seventies version–but Sunday night’s was pretty dramatic!

And I fancied Aidan’s approach, parting the angry red sea of miners.

My horse, Dennis, would have relished the drama of that–he was a natural born star and a bit of a show-off.

This was a terrific episode; for American viewers–a couple of episodes behind–something exciting in store!

Now–onwards!

Just eight books to go…!

 

 

 

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AT LAST!

Yesterday the audio version of Making Poldark became available for download via Audible, Amazon or iTunes.

http://www.audible.com/search/ref=a_mn_mt_ano_tseft__galileo?advsearchKeywords=Making+Poldark&x=0&y=0

 

Below, I’m re-posting my account of recording it way back in January.

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Just back from UK where I recorded my memoir of Poldark as an audio book–with an extra chapter about taking part in the new BBC/Mammoth version–40 years after doing the original!

 

Two days in a small, soundproof booth in a basement recording studio in Hove in Sussex, while the wind and the rain raged above ground.

I was fortunate to have three helpmates in the studio running the show–and keeping my nose to the microphone.

Chris Daniels, sound engineer, owns the studio and is a member of that fraternity of calm console operators who are never flustered.

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They have seen it all before–and behave as though they read the first verse of Rudyard Kipling’s poem, IF, before sitting down to work:

If you can keep your head when all about you
    Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
    But make allowance for their doubting too;
If you can wait and not be tired by waiting,
    Or being lied about, don’t deal in lies,
Or being hated, don’t give way to hating,
    And yet don’t look too good, nor talk too wise:
 
Yours is the Earth and everything that’s in it,
    And you’ll be make a Sound Engineer, my son!
(With apologies to Mr. Kipling.)
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My old friend, Constantine de Goguel Toulouse-Lautrec–his grandmother was in St. Petersburg in the October Revolution of 1917 and survived–sat in the producer’s seat and guided a rusty performer through the sessions with grace and years of experience.
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He’s a fine actor and an experienced dialogue coach for movies.
He also runs Spoken Ink–subtitled “The Home of Short Audio“–well worth checking out.
Meredith made up the triumvirate as back-up producer keeping a beady eye on the script and an ear out for things that could be better (like the American pronunciation of “Potomac”!).
Her occasional ripple of involuntary laughter was a morale boost for The Man in the Sound Proof Booth!
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The project is in post production now. When complete, we’ll announce it here.

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My memoir of MAKING POLDARK–with a chapter on how I got involved in the 2015 adaptation of Winston Graham’s romantic saga, and behind-the-scenes photos taken during the shooting of the new series–is NOW AVAILABLE FOR PRE-ORDER on Amazon.

(The book is currently available only on Amazon USA.)

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That was then!

The BBC have just announced the news–Mammoth Screen have offered me a cameo in their new production of Poldark.

Poldark has brought much joy to my life–I’ve often called them Poldark Perks–which doesn’t do them justice.

It continues to deliver.

I am delighted to be invited to play a role in the new venture which has got off to a flying start with superb scripts from Debbie Horsfield (I have just finished reading them) and a tremendous first tranche of principal casting.

I am cast as Dr. Halse–the clergyman with whom Ross shares the coach on his journey home to Nampara from Truro in the opening scene of the first series. Back then, a benign figure–in the new series he comes over as rather less so!

I fear I’ll be exchanging the marvelous leather coat and boots for drab, black church cloth and a sneer.

Joining the Cornish establishment that Ross so despises (though he was born into it) will be a challenge!

Joining the new Poldark will be exciting–but also poignant for me, bringing back many wonderful memories of 40 years ago.

Not least in my mind will be fellow members of the original cast–especially those no longer with us: the beloved Angharad Rees, Ralph Bates, Richard Morant, Frank Middlemas, Paul Curran and Mary Wimbush.

I’ll be there for their memory–and for the late Winston Graham–as well as for the intriguing prospect of acting with the new cast to help bring this wonderful saga to a new audience.

 

 

 

 

 

 

 

 

 

 

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Making Poldark has been Nooked at last!

Nick it on NOOK–it’s a steal!

It’s available now on NOOK.

Making Poldark: Memoir of a BBC/Masterpiece Theatre Actor
Making Poldark: Memoir of a BBC/Masterpiece Theatre Actor
by Robin Ellis
This revised version came out in April 2012 and is greatly expanded–including new photos from Winston Graham’s personal Poldark photo album.
And while we are at it…
Delicious Dishes for Diabetics
Delicious Dishes for Diabetics 

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…from the local Amazon service in the UK, France, Italy, Germany  and Spain!

The postage and packaging charges should be significantly cheaper than when ordering it from the US.

The revision is 9000 words longer and tells the sad story of the how the promising third series of Poldark failed to materialise– plus further stories of life after Poldark, including our move to France and how a passion for cooking and a diagnosis of Type Two diabetes had very positive consequences…

There are many more photos, some from Winston Graham’s private collection, taken when he and his wife Jean joined us on location in Cornwall during the filming of the second series.

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Originally written and published by a small Cornish publisher in 1978–Making Poldark was updated in 1987 when the BBC aired the series again.

When I heard that Acorn Media were going to make Poldark available in a double DVD set for the first time in the United States, it seemed like a good opportunity to take another look at the book to see if it was worth updating again.

This extended version is the result. With many more photographs, some from Winston’s own album of photos he took while with us on location for the second series (published with the kind permission of his son, Andrew Graham).

It covers both the professional and the personal.

The original was a light-hearted memoir of the making of the series.

The new edition includes an account of how and why the plan to make a third series ended so badly–a sad and disappointing tale–enlivened towards the end by The Poldark Appreciation Society’s valiant and colorful protest campaign.

It sketches in the intervening years which have seen our move to France, my diagnosis with Type Two diabetes and the publication of Delicious Dishes for Diabetics.

There are  two versions of the new edition. One is a color-enhanced Collectors Edition, the other is a standard black & white version.

They are available via the website, CreateSpace: 

 The Black and White version $14.99

Colour version $24.99

or http://www.Amazon.com/.

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