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Posts Tagged ‘robin ellis’

Surfing the net for a bit of Poldark news this morning (I’ve become a groupie!) I chanced on a series of wonderful photos, many of which I had never seen before.

They were taken during the filming of the original series by a gifted young photographer, Ian Barnes, who was just starting out in his career.

Here’s his story and the photo slide show, published today by the Western Morning News: http://www.westernmorningnews.co.uk/Unique-record-set-original-BBC-cast-Poldark/story-26324743-detail/story.htmlEbony the Horse

The slide show reminded me that  I had written the story of two of the photos depicted in my memoir Making Poldark. [Also available on Amazon.com]

 My steed for the second series, Ebony, was supplied by the wonderful horsemaster, Ben Ford  (the back of his head is visible in the photo below).

I had more riding to do in the second series, so Ebony and I saw a lot of each other. She never threw me like Dennis (my mount in the first series, an ex-Steeple chaser), but I’m sure she knew she had a novice on board.

Our most difficult day was the first shot of the second series—Ross Poldark‘s return from Holland.

In real life, I had been in London the previous day to see my then girlfriend play Cordelia at the opening night of the Royal Shakespeare Company’s production of King Lear, which had transferred from Stratford to the Aldwych Theatre. After the performance I caught the overnight train to Cornwall.

So I was there, fresh as a wilted daisy, at 8am on the beach at Caerhays ready to film. It was pouring with rain.

Ebony and I waited until 3:30 in the afternoon before we could even get on the beach. Neither of us was in very good shape by then. The wind was blowing the sea into a frenzy,  and I had great difficulty in keeping my over-large hat on my head. Screenshot 2015-04-17 14.33.12 Ebony, quite sensibly, was none too keen on the conditions. She could see the waves out of the corner of her eye and thought they were coming for her.

With difficulty, trying to control my hat, my flowing cloak and the reins, I managed to get her facing the right way. The camera was mounted on the roof of a Land Rover and we were supposed to follow it at full gallop across the beach. Screenshot 2015-04-17 14.37.37 It should have been an invigorating experience. Instead it was a nightmare.

Ebony HATED the sound of the Land Rover and decided the SAFEST place was her horsebox—so that’s where we headed.

We passed the Land Rover with ease and I managed to stop her only a few feet from the end of the beach. Exhausted I fell off into a puddle!

I remounted. (Well, I was the hero!)

Ben, experienced in such things, placed a sister equine on the seaward side of the Land Rover track, hoping Ebony would run towards her. We tried again and Ebony rejoined her friend rather more quickly than the cameraman anticipated.

By this time, I was losing confidence and my fingers were losing their grip.

We tried once more. Ebony did an impromptu gavotte, crisscrossing the Land Rover, and then another mad gallop.

I decided she’d won the day and walked back to the coach.

Two days later we had a perfect sunny day and managed the shot in one take.

I think Ebony had worked in television before.

Poldark filming seems to attract characterful beasts. Aidan Turner’s steed Seamus (Darkie in the series and Irish, like Aidan) is enjoying his new found fame!

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My memoir of MAKING POLDARK–with a chapter on how I got involved in the 2015 adaptation of Winston Graham’s romantic saga, and behind-the-scenes photos taken during the shooting of the new series–is NOW AVAILABLE FOR PRE-ORDER on Amazon.

(The book is currently available only on Amazon USA.)

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Ask any actor who has done time in repertory theatre what is the most frequently asked question by keen theatre-goers and I’d wager the answer would be:

“How do you learn the lines?”

I might have answered “with difficulty“, after drying on my first line (saying “Grace”) as the Vicar in Murder at the Vicarage on opening night at Salisbury Playhouse in the mid-60s .

It’s the nuts and bolts of the job–but never gets any easier.

Telly Savalas as Kojak had his lines taped all over the set and even–hard to believe–to the other actors’ foreheads!

Even if I’d been able to read them without my glasses, I couldn’t be shamed into that!

Samuel West‘s contribution to this article in The Guardian recently–actors’ advice to fellow actors–reminded me of the run-up to filming my two short scenes in the new adaptation of POLDARK*.

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To anyone learning lines for a day’s filming where there is NO rehearsal, he says:

Learn your lines with a friend the night before filming. Say them looking into your friend’s eyes. Your friend will be distracting you. You will think you know the scene because you can do it looking at the floor, but human contact is distracting – and you want there to be human contact when you film the scene.

Learning the night before? I’ve always needed time for lines to settle and stick (slow study it’s called in the trade)–but I know what he means.

Meredith volunteered  to hear my lines weeks before my first day’s shoot for POLDARK and eventually I took up her offer.

I’d been pounding them into my reluctant brain on my daily walk for weeks.

She suggested, like Samuel West, that I aimed them directly at her.

But for a while I was unwilling to engage with her spirited rendition of Captain Poldark–and continued doing exactly what Samuel West warns against–saying the lines, very convincingly, to nowhere in particular–sometimes to the floor.

In the end, I did engage. It was, as Sam says, usefully distracting–good preparation for when I had to project them across the chasm of the crowded, noisy courtroom.

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Meredith watched the shooting of the trial of Jim Carter [Me-lud presiding!] on a monitor in a freezing anti-room of the medieval hall where we were filming.

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In a pause while they were re-setting the lights she popped outside for a coffee to warm herself up.

There was Aidan Turner (aka Ross Poldark)…

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…pacing up and down, going through his lines.

They hadn’t formally met at this point.

So as not distract him, she discreetly tucked herself into a corner with her coffee.

Suddenly, becoming aware that there was just the two of them, he confided:

“This scene is important and I want to get it right!”

“I know it well,”  she said.  “I rehearsed the lines over and over with Robin–playing YOU!”

Aidan roared with laughter.

Meredith sensibly didn’t offer to hear his lines….

 

*The new adaptation of Winston Graham’s  POLDARK saga is being produced by Mammoth Screen for the BBC and PBS’ Masterpiece in the USA, to be broadcast next year.

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and Ross Poldark remounts…

Today the BBC announced the name of the actor who is to play the lead in the re-working of the series  first screened in 1975.

Irish actor Aidan Turner has bagged it.

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Just needs to add the scar and he’s away!

Congratulations to him–I hope he has as much fun as we did filming this wild and wonderful saga written in 12 books over a sixty year period by Winston Graham.

Forty years ago this November I went for the first of three auditions for the part, knowing little about Winston Graham and less of the books.

A brief glance at the first book of the saga, Ross Poldark, was enough–I seriously wanted him to be me or vice versa.

I had to go through two more nail-biting sessions in front of producer and directors before finding myself in the position Aidan is in today….

…Cast to play Ross Poldark.

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Now–two generations on–this great piece of storytelling will be enjoyed again by millions on TV and in book form.

The time is right. The wheel of fashion turns and Poldark, an unashamedly romantic tale, can be told again with a straight face.

The new series has the advantage of being adapted from original books written by an exceptionally gifted storyteller–Winston Graham.

The characters develop at their own pace and seem responsible for their own destiny.

No visible puppeteer, no obvious manipulation–just the telling of stories through the characters involved.

Aidan and I share a common debt to Winston, for giving us the chance to play a difficult, contrary, complex man often out of his time.

It’s a roller coaster of a ride!

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As part of the publicity for my new cook book, Healthy Eating for Life, I was interviewed  a couple of weeks back for the The Daily Express’ popular Saturday morning feature:

Whatever Happened to ???! 

Which puts me in mind of theFive lives of an actor”:

Runs like this:

Who is Robin Ellis?

What about Robin Ellis?

We must have Robin Ellis!

We need someone like Robin Ellis….

Whatever Happened to Robin Ellis…??

The good thing is that this sequence can recycle more than once!

(Click on the article to get a bigger, readable version.)
ExpressArticleJan'12(Apologies to those who have already been subjected to this on Facebook.)

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We are back in France after a week in London to launch my new book Healthy Eating for Life.

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Friends from N-S-E & W–some we hadn’t seen for years–came to Blenheim Crescent in Notting Hill on a rainy night last Thursday and were bemused and happy to meet others they themselves hadn’t seen for ages.

The publishing team from Constable and Robinson were out in force; marshaled by my editor Judith Mitchell they sailed round with plates of nibbles–cooked by resident cook Clara Grace Paul from recipes in my book.

It became more than just a launch party–it was a reunion.

In fact it was a blast!

Even the bookshop seriously underestimating the number of books they’d need in place–(they sold out just over half way through)–didn’t dampen the spirits!

Magician Meredith, the mistress of ceremonies, had surpassed herself–the book was on its way!

Next day I decided to give us/me a treat.

I bought Yotam Ottolenghi and Sami Tamimi’s newish cookbook.

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These two cooks, born on opposite sides in the divided city (one Israeli, the other Palestinian), met in London and have created a revolution in dining and eating.

Their food manages to be sumptuous and simple at the same time–and eminently cookable at home.

On Saturday the treat was extended to lunch at their small restaurant in Islington.

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They don’t take bookings so you wait in line;

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Forty minutes in our case–but we didn’t mind.

We passed the time staring at the heaving counter of prepared salads, trying to make up our minds what to eat–a mouth watering, morale-boosting exercise!

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“Please come forward–we can seat you now”

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We’d made our choices–here are mine–and settled down to enjoy our treats.

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top left to right: char-grilled broccoli with chili, butter bean hummus with caramalised red onions, green beans and mangetout with red salad leaves, grilled aubergine rounds topped with tahini!

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one happy punter sits opposite another!

…and did we!

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…heralding my new book, Healthy Eating for Life!
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(My first book  Delicious Dishes for Diabetics is alive and well and readily available.)

Healthy Eating for Life is published by Constable and Robinson,  on January 8th, 2014– and is available for pre-order. If you’d like a signed copy and live near London, I’ll be at Books for Cooks in Notting Hill on Thursday, January 16th, from 4pm-5pm. (If you can make it to Books for Cooks, please reserve your book with them ahead of time.)

From the Intro:

“Healthy eating for life”

What’s this?

Sounds like something handed down by a crusty old judge–a life sentence of eating humble pie for past sins.

“Prisoners at the bar, you have sinned most grievously, eating too much of the wrong stuff for too long. Bad habits must be punished! I therefore have no alternative but to sentence you to—HEALTHY EATING–FOR LIFE—take them down!”

Ouch!

But NO! Emphatically no!

This book is not promoting a diet of worms, grapefruit or any of the strict rule-ridden diets that are so guilt-inducing and hard to stick with.

It’s a book for people who love good food and enjoy cooking it or at least are willing to try. All manner of food, cooked in all manner of ways—a balanced diet, avoiding extremes.

“No one is born a great cook one learns by doing.”–Julia Child

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