How good it is to be ALIVE!
We had a visitor night before last–towards midnight, scarcely visible in the dark but crying a pitiable cry.
She was small and furry black with a kink in the tail.
She was distressed and hungry, a exhausted refugee searching for sanctuary.
Meredith was immediately on hand with a plate of food and some water.
“Don’t feed it,” I heard myself saying.
“I definitely am feeding it!” retorted an indignant wife.
In a flash, I had run through all the drawbacks that might occur in the coming days and weeks. (There were precedents.) The effect on the resident cats; the fact that maybe we had enough cats (three indoor and three outdoor) to be going on with etc…I quickly came to the conclusion that the mite was more a problem than a gift.
Then I saw the little black bundle and backed off knowing it was a done deal–we were a four” indoor “cat family!
The following day the vet said HE–for she is another he–is about three-and-half months (milk teeth still in place), of good character and in sound shape–and gave him his first vaccination.
Lundi? Sidney? Gaston?–names on the list of possibles.
Pippa does her usual hissy fit and we’ve seen little of Ben.
Beau is wary but tolerant from the comfort of a strategic chair.
The little mite–not a bad name–slept through his first full day in the wicker basket Meredith had “made nice” for him.
“What-a-ya-gunna-do?”! ? Here I am! Nice lady! Comfy basket. Food in the dish–go for it! “
There’s a lesson for us worry guts…
*french for monday)
There is an air of perfect calm today.
From where I’m sitting, reading, the back door–open to the terrace–frames the day.
A still life–cloudless blue sky with trees.
comes in through the door, pauses, purrips a greeting, looks towards the food bowls, then strides passed them–apparently affording me preference.
His black coat is warm from the sun as I stroke him.
He continues on, jumps up on the table under the window to the courtyard–looks out briefly and exits through the grill.
Eating will keep and there are lizards to chase.
I go back to my book.
As I finish a chapter Ben appears again at the back door, pauses, sniffs the floor just inside the door, where a few pellets of dry food have fallen.
He cracks a couple with his teeth and moves off–no greeting this time.
He walks across the entrance hall into the dining room, stops suddenly, sits and throwing his right hind leg in the air starts cleaning the underside ferociously. He changes legs and licks the left one stretched out in front of him–paying special attention to the toes.
He moves off again and disappears in the direction of the garage.
Five minutes later he comes in through the front door with a loud greeting “meow” and pauses.
I get ready for a friendly approach; instead he turns away and mounts the staircase.
I write the last sentence and then hear “pad-pad-pad-pad” down the stairs and here he is again– head pointing towards the front door and out he goes–into the sunshine.
After a couple of minutes I become aware of a whirring sound–thrump, thrump–getting louder–THRUMP, THRUMP–begging investigation.
Some sort of flying machine? Helicopter? Ultra-light?
I go out through the courtyard to investigate just in time to see the rear end of a vast combine harvester disappearing down the field opposite–shattering the quiet calm of a perfect day.
No sign of Ben.
Yesterday (September 1st and officially the first day of autumn for the Met office) our neighbour Alice–beekeeping teacher–arrived with a basket of summertime goodies.
She and Meredith had been collecting honey from her many hives and our ONE in the garden.
There has been precious little “summertime” this year, so the honey harvest is modest
and the basket a reminder of what might have been–peches de vignes, tomatoes and delightful looking little red chilis, the last–“tres forts–attention!” warned Alice.
This year our tomatoes were “carried off“–as they used to say about people who caught the plague–by mildew.
According to Alice, this has happened to many gardeners–but not to her tomatoes because she saw the signs and acted to stop the rot.
The unusually wet weather with little drying sunshine is the cause.
Result–in our case–a quick demise of the entire crop; we were away when the plague struck.
Alice advised keeping a few seeds from the largest tomato, for planting next year which we’ve done, but not before a bit of coarse “look at the size of it!” acting.
It’s now in the fridge–a tasty sauce waiting its turn in the limelight, which maybe tonight as part of the stuffing for one of its cousins.
Ask any actor who has done time in repertory theatre what is the most frequently asked question by keen theatre-goers and I’d wager the answer would be:
“How do you learn the lines?”
I might have answered “with difficulty“, after drying on my first line (saying “Grace”) as the Vicar in Murder at the Vicarage on opening night at Salisbury Playhouse in the mid-60s .
It’s the nuts and bolts of the job–but never gets any easier.
Telly Savalas as Kojak had his lines taped all over the set and even–hard to believe–to the other actors’ foreheads!
Even if I’d been able to read them without my glasses, I couldn’t be shamed into that!
Samuel West‘s contribution to this article in The Guardian recently–actors’ advice to fellow actors–reminded me of the run-up to filming my two short scenes in the new adaptation of POLDARK*.
To anyone learning lines for a day’s filming where there is NO rehearsal, he says:
Learn your lines with a friend the night before filming. Say them looking into your friend’s eyes. Your friend will be distracting you. You will think you know the scene because you can do it looking at the floor, but human contact is distracting – and you want there to be human contact when you film the scene.
Learning the night before? I’ve always needed time for lines to settle and stick (slow study it’s called in the trade)–but I know what he means.
Meredith volunteered to hear my lines weeks before my first day’s shoot for POLDARK and eventually I took up her offer.
I’d been pounding them into my reluctant brain on my daily walk for weeks.
She suggested, like Samuel West, that I aimed them directly at her.
But for a while I was unwilling to engage with her spirited rendition of Captain Poldark–and continued doing exactly what Samuel West warns against–saying the lines, very convincingly, to nowhere in particular–sometimes to the floor.
In the end, I did engage. It was, as Sam says, usefully distracting–good preparation for when I had to project them across the chasm of the crowded, noisy courtroom.
Meredith watched the shooting of the trial of Jim Carter [Me-lud presiding!] on a monitor in a freezing anti-room of the medieval hall where we were filming.
In a pause while they were re-setting the lights she popped outside for a coffee to warm herself up.
There was Aidan Turner (aka Ross Poldark)…
…pacing up and down, going through his lines.
They hadn’t formally met at this point.
So as not distract him, she discreetly tucked herself into a corner with her coffee.
Suddenly, becoming aware that there was just the two of them, he confided:
“This scene is important and I want to get it right!”
“I know it well,” she said. “I rehearsed the lines over and over with Robin–playing YOU!”
Aidan roared with laughter.
Meredith sensibly didn’t offer to hear his lines….
*The new adaptation of Winston Graham’s POLDARK saga is being produced by Mammoth Screen for the BBC and PBS’ Masterpiece in the USA, to be broadcast next year.
It was a normal day at the Edinburgh Festival (The biggest arts festival in the world)–sitting for seven hours imbibing the creative juices of others.
Time it takes to fly to New York–with breaks.
Starting at 10am at the Traverse Theatre and finishing at 11pm at the Festival Theatre.
We saw four remarkable shows and walked home happy.
Mark Thomas–who combines stand-up comedy with political activism–started our day with a sad tale entitled Cuckooed.
In a brilliantly funny display of controlled anger–he tells the true story of how he and a small group of friends, members of the Campaign Against Arms Trade (CAAT) were betrayed by someone they thought of as a trusted comrade and friend, who was in fact an undercover spy for BAE–the UK’s leading arms manufacturer.
The fellow had been warning his paymasters of every move planned by the protest group.
“Some of the people affected have had mental health issues as a direct consequence,” Mark says. ” I want audiences to understand the emotional turmoil something like this kicks off.”
Doesn’t sound like a barrel of early morning laughs but Thomas managed to send us out of the theatre an hour later in a merry mood of indignation–keen to take on our next audience challenge.
A taxi ride across the medieval old town of Edinburgh
took us to the Festival Theatre and the prospect of seeing The James Plays;
The National Theatre of Scotland’s new three play saga written by Rona Munro, set in medieval Scotland.
No coincidence of course that there is a referendum coming up on the 18th of September–a vote for or against independence for Scotland.
“YES” and “NO” signs high and low across town–signaled a campaign in full swing.
We were in the Upper Circle for James I and II and in the Stalls for James III.
From on high we could make out the faint markings of the Scottish flag on the stage floor–white cross on blue background; the plays tell the story of a nation emerging through the 15th century.
James I was at Agincourt (1415) as long time prisoner of England’s Henry V.
James II was on the throne when Leonardo da Vinci was born, April 15 1452–five hundred years to the day before the birth of Meredith Wheeler!
Towards the end of the reign of Scotland’s James III, England’s hunchback Richard III was killed at the Battle of Bosworth Field (1485).
Not a whiff of Shakespeare, more Stratford East than Stratford upon Avon, with a rude boy Henry bullying his captive–future James I of Scotland–with Saturday-night-out language that our taxi driver would recognise.
An exhilarating experience and destined for The National Theatre down south.
Sweet William’s way with words would describe one common theme in the plays.
Twenty- four hours later, we were back in the Tarn.
While the audience was arriving for the final performance at the Festival Theatre…
…we sat outside, eating our pasta, watching the cows.
Posted in other sides to this life | Tagged Andrew Rothney, Edinburgh Festival, J K Rowling, James McArdle, jamie sives, mark thomas, national theatre of scotland, rona munro, scottish referendum, Spoon Café Bistro, The James plays, traverse theatre | 8 Comments »